73 years.

As another little confirmation that most of what is being written about “models”, “theories” and “new thinking” in communication, management and all those other funky disciplines has been more or less eloquently written before, a quote from the research for a paper I am supposed to be writing instead of this …

It has been found that a properly recruited, properly educated staff whose loyalty has been adequately ensured will work not only eight or more hours a day keeping up the Bell System’s public relations, but further, even in personal contacts and friendships, on company time and off, will serve as an efficient agent in spreading the Bell ideology and securing the sympathies and allegiance of groups and individuals to the Bell System.

Bell System, Public Opinion Quarterly 1937 vs. Twelpforce, Cannes 2010.

What did we really do in the 73 years between, except for changing some words?

Speaking of models, there’s a rather innovative one that TheKaiserII was kind enough to share with us:

Vienna. Dancing with the Cool Kids.

Riesenrad

(What comes now should probably be filed in the category: “Topics that I have no business writing about”, but anyways.)

One of the good things about being away from home is that you have an incentive for getting to know “home” better once you return. Things always change, some more subtle, others more visible and dealing with the whole “coming home” situation makes you more aware of stuff that you wouldn’t even have noticed before leaving. However, when I came home to Austria after my semester in Vancouver, I hardly spent time in Vienna. On the weekends I played tennis for my hometown and during the week I studied for a big exam. Then, in July, I took off to Budapest for three months. The only thing I saw from Vienna during that time was its train station.

So, looking back at the year since I came back, what has changed?

A lot, obviously, but what I think is really amazing to see is how the music scene in Vienna has built some sort of cluster at the edges of laid-back but energetic, raw but sophisticated, oldschool but innovative funkyness – can I get a “Ho!” for that? – and I don’t only mean the tonality of the music. Now of course, there’s always been underground Hip Hop and electronic music (sic!) in Vienna, and I’m most definitely not in a position to educate anybody about that. What comes out of Vienna recently sounds like that:


(It appears that Dorian Concept and The Clonious are only two of that bunch of producers that are pushing Vienna next to LA and Detroit as the hot spot of this intersection of Hip Hop and Electronic music. You know, Flying Lotus, Nosaj Thing, Hudson Mohawke and all.)

What I find interesting in all this are two things.

First, it seems like it took the opening of a third club right in the same are to ignite that breakthrough on a bigger scale. The “Fluc” had been home to Techno, Dubstep, Drum and Bass, Hip Hop and all kinds of other stuff for some years but it was always a little too alternative for a lot of people. The “Planetarium” right next door had its share of House, Techno, Hip and Hop and other stuff but was always a little too posh for others. So when the “Pratersauna“, a former sauna with outdoor pool and a “legendary” grimy heritage, opened in July 2009, suddenly 3 of the most popular alternative music venues in Vienna were all in a 5 minutes walking distance. And then, in fall, Planetarium and Pratersauna took part in the 5 days minifestival RUN VIE – a week “by the heads, for the heads”, organized by Supercity, one of the important platforms for what I’m writing about here. Sneakerness Vienna – a sneaker fair for the “sole culture” also was happening as part of that thing.

RUN VIE, The Festival 2009, Vienna from supercity on Vimeo.

Now, almost a year later, another collective has formed that will bring Vienna its first electronic “festival”, with Austrian and international acts from Techno, to House, to Dubstep to Hip Hop, in exactly those three locations.

Proximity and momentum. Kind of interesting.

The second thing that I find interesting is the tonality, the look and feel of this ever-more attractive scene. At the intersection of all those genres I left it to you to determine the right words for the sound itsself.

Fluc Wanne Klo

pratersauna

However, apart from the sound I think there is something at the “core” of this scene with its different venues (and it’s not the toilet architecture as you can see). The clubs themselves are of course different from each other.  Of the three clubs, one is under the ground, one is in a real planetarium and one in a former sauna (and/or swinger club). All of them, however, are improvised and minimalistic.

They are raw in the way how they approach interior and sophisticated/rich only in the music they play. All of them are in a district until recently famous only for the Prater, Vienna’s prototypical and stangely-famous entertainment sight, and prositution. So all of the clubs “benefit” from this “dirty” halo of the district and its grimy flair.

All of them are laid back in the sense that there’s no dress code, people from all kinds of backgrounds hang around there and that the whole thing is not taking itsself too seriously yet. They are oldschool in the fact that they are letting the patina survive – both in the sound and the style – and in building and innovating upon that.

And why funky? Well, a week ago I went to another one of the “fresh” venues, Club Morrison. This one’s not in the same area, but it is also in a former brothel and at least as improvised and raw. Ever since, I can’t help but link this whole movement to this movie that I saw in fall at the Viennale:

The patina, the sophisticated rawness, the disco flair, the grimy atmosphere, parts of the sound, the not taking it too seriously…  I can’t help but think of it all as Black Dynamite, remixed Viennese style.

Years ago, when I moved to Vienna, I asked bounce!-records sage Plaq why there were no Grime gigs in Vienna. He answered that Vienna wasn’t raw and tough enough for Grime. Now, years later, we might have found our thing.

(Apart from the fact that I shouldn’t be writing about music – sorry to all you real heads out there-, this posting shows how limiting text is when writing about culture. I’d need way more pictures and video to properly get across what I mean.)

This – too – Is Advertising.

Now I haven’t posted an ad here in a while.

I have to admit that I’ve been a little fed up with advertising recently. Not because I’m surfing on the “advertising is the price that you pay for a bad product” wave. I don’t. Or because I’ve been preaching “social media” on a daily basis only to see people now abandoning their former golden calf. I don’t do that a lot either. Not even because I’ve typed myself silly about the “new customer“, agency models or how innovation is the new black. I think I’ve kept all that to a reasonable minimum.

Rather, it’s been precisely those debates and discussions that have made me a little tired of the bulk of the advertising discourse. Looking at twitter, blogs and AdAge It seems like everybody who’s holding at least a senior planning position in agencies big or small is busy hopping from conference to conference talking about the demise of the industry. Of course, not every stream of that discussion is dull and I’ve learned a lot from reading people who are incredibly smart and generous with their knowledge and experience. I’ll attend a planning barcamp myself this summer. And anyways it’s probably more an outsider perspective than an informed insider view. But still, my impression is: a lot, a lot of talk.

(Disclaimer: The next sentences may come across as a little bit of ass-kissing. And I agree. But then again, credit where credit is due.)

When I talk about exceptions, one of the agencies that has always been impressive in my eyes is – of course – W+K. Yes, they blog. Yes they retweet when their work is mentioned. Yes, they even have an opinion and voice it from time to time. But in general, their planners seem to be more busy (unsuccessfully) helping Labour to win elections than further contributing to the echochamber. Or repeatedly doing awesome stuff. And this is, in my humble opinion, a very good thing.

Now that was a very long prelude for a video. Here it is: Nike “Write The Future”.

This fully integrated campaign, spanning TV, cinema, print, digital, out-of-home and non-traditional executions is the culmination of an 18-month long collaborative effort led by W+K Amsterdam with support from W+K London and W+K Portland. While digital teasers were released on May 15th to build buzz ahead of the campaign, the official unveil is this epic 3-minute film called “Write the Future,” launching online tonight. The global broadcast will debut during the May 22nd European Club Final, a feat that required seven versions and 30 cut-downs to accommodate distribution to major networks in 32 countries.

Put simply: it’s an awe-inspiring peace of film. (Read their full background info here.)

From what can be seen in the admitedly media-biased twitter search people are loving it. They talk about it. And they will implement it in their lives. Heck, the whole set-up with different slices and pieces of film for different culture is brilliant. This is probably what Ehrenberg meant when he wrote about “Advertising as Creative Publicity“. This is what Lannon/Cooper meant when they wrote about humanistic advertising and asked the question “What do people do with ads?” – in 1983. And this – too – is advertising.

12 Brand Definition Themes Identified (by others)

As a result of the content analysis of this literature, we identified twelve main themes which we thought were an accurate categorisation of the broad range of definitions of the “brand” in the literature, i.e. as: i) legal instrument; ii) logo; iii) company; iv) shorthand; v) risk reducer; vi) identity system; vii) image in consumers’ minds; viii) value system; ix) personality; x) relationship; xi) adding value; and xii) evolving entity. The categorisation into the twelve themes was fairly straightforward, since most authors used buzz words such as “personality” or “relationship” either in the definitions themselves, or in the discussion of their view of the brand. As we discuss in more detail in below, there is some overlap among the elements of different definitions, which are therefore not mutually exclusive. However, the twelve themes represent a categorisation of the most important propositions in the branding literature.

This is a quote from de Chernatony, L. & Riley, F.D., 1998. Defining A “Brand”: Beyond The Literature With Experts’ Interpretations. Journal of Marketing Management, 14(4/5), 417-443.

I think it’s valuable to read this kind of stuff and deal a fair share of time with what could be denounced as a pure semantic, abstract and theorectical exercise. Why? Because it could eventually help me to understand the perspective a client, partner, team or boss has on the topic, which in turn allows me to reach a goal easier just by making my thinking – or its packaging – more compatible with the associations people already formed. (That, and finishing my bachelor thesis …)

A sign showing how subjective our business is (as Russell Davies has pointed out before)? Rubbish and useless academia?

A quote from “Organizational Identity, Image and Adaptive Instability”

[T]he fact that organizations have multiple identities in multiple contexts with multiple audiences not only undermines the idea of a holistic identity but also implies that neither identity nor image changes in a uniform or unified fashion.

Dennis A. Gioia, Majken Schultz, Kevin G. Corley (2000): Organizational Identity, Image, and Adaptive Instability. In: The Academy of Management Review, Vol. 25, No. 1 (Jan., 2000), pp. 63-81.  http://www.jstor.org/stable/259263

Not exactly new, but well-written and with some interesting additional nuggets about change and adaption.

Life’s pretty transdisciplinary: my semester

One of my resolutions for this year was to keep a little journal about what I’m doing and what I’m thinking. So far, I have been pretty miserable with my self-chosen media diet. My “journal” has been what I write on twitter and what I bookmark on delicious. Not exactly what I planned.

People who know me personally are aware of my somewhat nerdy obsession with academia, which means I love it and at the same time hate what is going on inside Austrian universities. That’s why I thought I could put together a little preview of what is waiting for me at the university this term – or what I expect. I’m in the last semester of my International Business bachelor and also do some courses of the Mass Media and Communication Science research master. So I am kind of all over the social sciences, business and arts curricula. Trying to sort things out and not halfway there. So, this is what I’m up to at university this semester:

Business, Economics and Social Sciences

Bachelor Thesis – I’m writing “thesis” at the institute of Advertising and Brand Management about “The Evolving Role of Creativity in Brand Management”. Yes, I know this topic could evolve into a buzzword-clad piece of writing but I’m trying to avoid that. More on the paper in an upcoming post.

Spanish Business Communication III – Just what it sounds like: a lecture with around 20 people and topics such as “la empresa”. Includes a presentation, a midterm and a final exam. Not much conversation and discussion going on though, so chances are I have to talk with Spaniards at that bodega about inflation and unemployment rates and not about more interesting things. Lame, but my fault.

Spanish Business Communication IV – The title doesn’t really fit this one as it’s more a culture and history class as an actual business course. It’s in lecture format, I’ll have to do an oral exam of about 20 minutes and read an academic Spanish book. I think I’ll chose “La familia en Espana”, a sociological perspective on just that. This is going to be hard, really hard.

Spanish Conversation – A training course dedicated to getting people at a level that doesn’t make the prof who does the oral exam cringes once you open your mouth. So we are talking about “La era de la información” and things like that. So far it is the most exciting course of the term. And I really don’t know if that’s a good thing.

Applied Microeconomics – Another group lecture. I first thought we’re going to review neoclassical economic theory, do a lot of formalizing just to hear in the end that the models we built are totally not valid in reality and need to be more refined to make sense. However, it seems we’re going to discuss “real” cases and analyze them from a microeconomic perspective. Game theory and things like that.

Companies from the perspective of social sciences – Can’t go to the lecture but I guess there’s a lot of stakeholder and system theory in that one. Have to read the book and write the exam.

Mass Media and Communication Science

Special Lecture I  – Television and Digital Media: The State of the Art of Media and Audience Research – I was expecting a lot from this lecture, especially as 1) it’s in English 2) the Prof. has been at different Universities including Berkley and 3) runs a movie consulting business. So far I am disappointed beyond belief. The lecture is split in two parts. The first 45 minutes, we are lectured about what can only with a lot of goodwill be described as “the state of the art of media and audience research” and the other 45 minutes students have some 3 minutes to present “something relevant” from either TV or the internet. There is no discussion afterwards and the grading depends on the 3 minutes talk and a 1 A4 description of some case. So far it is very, very uninspiring.

Special Lecture II – History and Theory of Propaganda – I was looking very much forward to this lecture, as the prof giving it has written a book I really liked a lot and is a historian, not a communication scientist. So far it’s a quite impressive display of cultural analysis and dissection. It’s the kind of lecture that makes you start thinking about topics differently. It inspired me for around 5 blog posts in the first 2 hours, so I guess I Just have to find the spirit to get them done.

Research Seminar I – Digital Natives and the Future of Information Usage – Same prof as Television and Digital Media: The State of the Art of Media and Audience Research, same high expectations, so far, same results. However, the topic itself is pretty interesting and there are a bunch of interested and interesting colleagues of mine in the class. I guess we’re going to do empirical research, analyzing the myth of the one digital native and his or her usage of information. I’d love to put the good old news factor theory to the test in the interwebs, but I guess that’s as always “beyond the scope of the class”.

Research Seminar II – Organizational Communication – Held by Peter Szyska, a quite renowned prof on the topic of PR and organizational comms. My group of three has to analyze the vast mass of trade and academic literature on internal communications to establish some sort of systematic body of work. Kind of “towards a great theory of internal communications” without the great. Could be fun. Could be not. We’ll see.

Management Lecture: New Media Management – Had to chose this one and I am not totally happy about it. The lecturer is managing the online part of Austria’s public broadcasting system and is damn proud of it. We’ll see how much reflexion and thorough analysis it’s going to be – or how much self-righteous posing.

That’s it for now. And it’s going to be a heck of a lot.

Some thoughts about concepts, executions and things like that

Haven’t posted in a while. Since coming back from Canada I’ve been reading a lot on- and offline, working on some projects, meeting a lot of interesting people at the remix09 in Hamburg. The following presentation is what I’ve been digesting so far. A work in process, a way for me to frame what I’ve been thinking about lately.

10 reasons Vancouver is a great place for an exchange semester

Good morning Vancouver!
In order of subjective importance.

10. The beer is better than in the US (I know, there are microbreweries …)

Granville Island makes an almost bavarian Hefeweizen. So you are not doomed to drink American light beer.

9. The seafood is awesome

They basically invented Salmon and Tuna here. And they definitely learned how to make great stuff with it.

8. Hawaii is as close as it gets

Chances are, you are not getting much closer to Hawaii anytime soon. (That doesn’t meen the flight from Seattle is actually getting you there quickly but fair enough …)

7. You are not strange if you are actually interested in the stuff you study

More students than in Vienna actually want to study what they study. In addition, the professors I had take pride in teaching the stuff they do. They are disappointed if people fail their exams and they talk to you if you don’t perform to their expectations.

6. Vancouver is a city, but it’s not really big

There is a downtown with skyscrapers, but you can bet there are some wooden houses right across the street.

5. You get a chance to see bears and all kinds of wildlife

A 10 hours drive gets you to the Canadian Rockies, four national parks that are recognized as a UNESCO World Heritage Site. (If you are more into whales and dolphines you can also go to the Vancouver Aquarium or whale watching.)

4. There are mountains, island, beaches, parks and forrests right around the corner

Mount Seymore, Cypress and Grouse. Bowen Island, Vancouver Island. English Bay, Kitsilano Beach. Stanley Park and the Pacific Spirit Park.

3. The people are really nice

They even say “Thank you” to the bus drivers – something you’d be laughed at in Vienna. In return, the bus drivers tell you where to go and even drop you off between stations at night.

2. Vancouver is a very progressive city

There’s the West End, Vancouver’s gay community. There’s Wreck Beach, the famous, hippiesque nude beach. There’s 4-20, the marijuana holiday. So whatever is your thing, there’s probably a place for you in Vancouver.

1. Most people arrived “just recently” (in historical dimensions)

Most people here are first or second generation Vancouverites. Multiculturality is a core part of Vancouver’s identity and I haven’t even heard debate or negative sentence about that while I was here. This is so different to Vienna, where you have to face racism in political campaigns and even newspapers.

420 and bluegrass – Or: Things that I didn’t know before coming to Canada

I have mentioned before that a lot of people in Vancouver tell me about the quality and importance of B.C. marijuana and how the laws or rather their enforcement is lenient compared to the US and Canada’s east. I think I also mentioned that on the other hand alcohol laws and their enforcement are extremely strict compared to those in Austria. So I was already kind of used to seeing the reverse image of Austrian culture: people smoke weed in public or at concerts where there’s a strict “no tobacco” policy, people get arrested for drinking or being drunk in public.

Anyways, when it came to April 20th I was still stunned by how different our two cultures deal with the two drugs. April 20th or 420 (4-20) is a (supposedly) global counterculture holiday to celebrate the use and demonstrate for the legalisation of marijuana. It obviously never made it to Austria, a country where April 20th is more related to the birth of a rather unpleasent historical figure.

So – how would you expect this counterculture holiday to look like? Secret private gatherings? Think again.

(Nope: I do not have original video material as I was not downtown …)

Please take a second to imagine a demonstration like that in Vienna, preferably 1st district.

On the same day, maybe remotly connected in terms of ideology, I agreed to attend a bluegrass concert. The Yonder Mountain String Band was in town and I got some insider information that they would be absolutely amazing live. And they were. (Music starts at 1:40)

The “Holodeck” isn’t that far away …

The folks at the IDEO Lab are kindly sharing their experience at EON Reality’s immersive 3D room.

You can see technology in action in this little video. Read their blog post to learn how it works.


Amazing 3D immersion technology from IDEO Labs on Vimeo.

Looking at this, the amazing video razorfish has recently released, showing their surface, gestual interface physics simulation (emerging experiences) and recent augmented reality research makes you think about the endless possibilities the combination and fine-tuning of these technologies are going to offer in the near future.